Illustration: Oscar Ramos Orozco
When George Plimpton asked Ernest Hemingway what the best training for an aspiring writer would be in a 1954 interview,
Hem replied, “Let’s say that he should go out and hang himself because
he finds that writing well is impossibly difficult. Then he should be
cut down without mercy and forced by his own self to write as well as he
can for the rest of his life. At least he will have the story of the
hanging to commence with.”
Today, writing well is more important
than ever. Far from being the province of a select few as it was in
Hemingway’s day, writing is a daily occupation for all of us — in email,
on blogs, and through social media. It is also a primary means for
documenting, communicating, and refining our ideas. As essayist,
programmer, and investor Paul Graham has written,
“Writing doesn’t just communicate ideas; it generates them. If you’re
bad at writing and don’t like to do it, you’ll miss out on most of the
ideas writing would have generated.”
So what can we do to improve our writing short of hanging ourselves?
Below, find 25 snippets of insight from some exceptional authors. While
they are all focused on the craft of writing, most of these tips pertain
to pushing forward creative projects of any kind.
1. PD James: On just sitting down and doing it…
Don’t just plan to write—write. It is only by writing, not dreaming about it, that we develop our own style.
2. Steven Pressfield: On starting before you’re ready…
[The] Resistance knows that the longer we noodle
around “getting ready,” the more time and opportunity we’ll have to
sabotage ourselves. Resistance loves it when we hesitate, when we
over-prepare. The answer: plunge in.
3. Esther Freud: On finding your routine…
Find your best time of the day for writing and
write. Don’t let anything else interfere. Afterwards it won’t matter to
you that the kitchen is a mess.
4. Zadie Smith: On unplugging…
Work on a computer that is disconnected from the internet.
5. Kurt Vonnegut: On finding a subject…
Find a subject you care about and which you in
your heart feel others should care about. It is this genuine caring, and
not your games with language, which will be the most compelling and
seductive element in your style. I am not urging you to write a novel,
by the way — although I would not be sorry if you wrote one, provided
you genuinely cared about something. A petition to the mayor about a
pothole in front of your house or a love letter to the girl next door
will do.
6. Maryn McKenna: On keeping your thoughts organized…
Find an organizational scheme for your notes and
materials; keep up with it (if you are transcribing sound files or
notebooks, don’t let yourself fall behind); and be faithful to it: Don’t
obsess over an apparently better scheme that someone else has. At some
point during your work, someone will release what looks like a
brilliant piece of software that will solve all your problems. Resist
the urge to try it out, whatever it is, unless 1) it is endorsed by
people whose working methods you already know to be like your own and 2)
you know you can implement it quickly and easily without a lot of
backfilling. Reworking organizational schemes is incredibly seductive
and a massive timesuck.
7. Bill Wasik: On the importance of having an outline…
Hone your outline and then cling to it as a
lifeline. You can adjust it in mid-stream, but don’t try to just write
your way into a better structure: think about the right structure and
then write to it. Your outline will get you through those periods when
you can’t possibly imagine ever finishing the damn thing — at those
times, your outline will let you see it as a sequence of manageable
1,000 word sections.
8. Joshua Wolf Shenk: On getting through that first draft…
Get through a draft as quickly as possible. Hard
to know the shape of the thing until you have a draft. Literally, when I
wrote the last page of my first draft of “Lincoln’s Melancholy” I
thought, Oh, shit, now I get the shape of this. But I had wasted years,
literally years, writing and re-writing the first third to first half.
The old writer’s rule applies: Have the courage to write badly.
9. Sarah Waters: On being disciplined…
Treat writing as a job. Be disciplined. Lots of
writers get a bit OCD-ish about this. Graham Greene famously wrote 500
words a day. Jean Plaidy managed 5,000 before lunch, then spent the
afternoon answering fan mail. My minimum is 1,000 words a day – which is
sometimes easy to achieve, and is sometimes, frankly, like shitting a
brick, but I will make myself stay at my desk until I’ve got there,
because I know that by doing that I am inching the book forward. Those
1,000 words might well be rubbish – they often are. But then, it is
always easier to return to rubbish words at a later date and make them
better.
10. Jennifer Egan: On being willing to write badly…
[Be] willing to write really badly. It won’t hurt
you to do that. I think there is this fear of writing badly, something
primal about it, like: “This bad stuff is coming out of me…” Forget it!
Let it float away and the good stuff follows. For me, the bad beginning
is just something to build on. It’s no big deal. You have to give
yourself permission to do that because you can’t expect to write
regularly and always write well. That’s when people get into the habit
of waiting for the good moments, and that is where I think writer’s
block comes from. Like: It’s not happening. Well, maybe good writing
isn’t happening, but let some bad writing happen… When I was writing
“The Keep,” my writing was so terrible. It was God-awful. My working
title for that first draft was, A Short Bad Novel. I thought: “How can I
disappoint?”
11. AL Kennedy: On fear…
Be without fear. This is impossible, but let the
small fears drive your rewriting and set aside the large ones until they
behave – then use them, maybe even write them. Too much fear and all
you’ll get is silence.
12. Will Self: On not looking back…
Don’t look back until you’ve written an entire
draft, just begin each day from the last sentence you wrote the
preceeding day. This prevents those cringing feelings, and means that
you have a substantial body of work before you get down to the real work
which is all in… The edit.
13. Haruki Murakami: On building up your ability to concentrate…
In private correspondence the great mystery
writer Raymond Chandler once confessed that even if he didn’t write
anything, he made sure he sat down at his desk every single day and
concentrated. I understand the purpose behind his doing this. This is
the way Chandler gave himself the physical stamina a professional writer
needs, quietly strengthening his willpower. This sort of daily training
was indispensable to him.
14. Geoff Dyer: On the power of multiple projects…
Have more than one idea on the go at any one
time. If it’s a choice between writing a book and doing nothing I will
always choose the latter. It’s only if I have an idea for two books that
I choose one rather than the other. I always have to feel that I’m
bunking off from something.
15. Augusten Burroughs: On who to hang out with…
Don’t hang around with people who are negative
and who are not supportive of your writing. Make friends with writers so
that you have a community. Hopefully, your community of writer friends
will be good and they’ll give you good feedback and good criticism on
your writing but really the best way to be a writer is to be a writer.
16. Neil Gaiman: On feedback…
When people tell you something’s wrong or doesn’t
work for them, they are almost always right. When they tell you exactly
what they think is wrong and how to fix it, they are almost always
wrong.
17. Margaret Atwood: On second readers…
You can never read your own book with the
innocent anticipation that comes with that first delicious page of a new
book, because you wrote the thing. You’ve been backstage. You’ve seen
how the rabbits were smuggled into the hat. Therefore ask a reading
friend or two to look at it before you give it to anyone in the
publishing business. This friend should not be someone with whom you
have a romantic relationship, unless you want to break up.
18. Richard Ford: On others’ fame and success…
Try to think of others’ good luck as encouragement to yourself.
19. Helen Dunmore: On when to stop…
Finish the day’s writing when you still want to continue.
20. Hilary Mantel: On getting stuck…
If you get stuck, get away from your desk. Take a
walk, take a bath, go to sleep, make a pie, draw, listen to music,
meditate, exercise; whatever you do, don’t just stick there scowling at
the problem. But don’t make telephone calls or go to a party; if you do,
other people’s words will pour in where your lost words should be. Open
a gap for them, create a space. Be patient.
21. Annie Dillard: On things getting out of control…
A work in progress quickly becomes feral. It
reverts to a wild state overnight… it is a lion growing in strength. You
must visit it every day and reassert your mastery over it. If you skip a
day, you are, quite rightly, afraid to open the door to its room. You
enter its room with bravura, holding a chair at the thing and shouting,
‘Simba!’
22. Cory Doctorow: On writing when the going gets tough…
Write even when the world is chaotic. You don’t
need a cigarette, silence, music, a comfortable chair, or inner peace to
write. You just need ten minutes and a writing implement.
23. Chinua Achebe: On doing all that you can…
I believe myself that a good writer doesn’t
really need to be told anything except to keep at it. Just think of the
work you’ve set yourself to do, and do it as well as you can. Once you
have really done all you can, then you can show it to people. But I find
this is increasingly not the case with the younger people. They do a
first draft and want somebody to finish it off for them with good
advice. So I just maneuver myself out of this. I say, Keep at it. I grew
up recognizing that there was nobody to give me any advice and that you
do your best and if it’s not good enough, someday you will come to
terms with that.
24. Joyce Carol Oates: On persevering…
I have forced myself to begin writing when I’ve
been utterly exhausted, when I’ve felt my soul as thin as a playing
card, when nothing has seemed worth enduring for another five minutes…
and somehow the activity of writing changes everything. Or appears to do
so.
25. Anne Enright: On why none of this advice really matters…
The way to write a book is to actually write a book. A pen is useful, typing is also good. Keep putting words on the page.
–
How About You?
What great writing tips have helped you change your ways?
