Writing dialogue — realistic
dialogue, anyway — does not come easily to everyone. Done well, dialogue
advances the story and fleshes out the characters while providing a
break from straight exposition.
However, just as realistic dialogue is one of the most powerful tools
at a writer's disposal, nothing pulls the reader out of a story faster
than bad dialogue. It takes time to develop a good ear, but noting these
simple rules and obvious pitfalls can make a huge difference.
1. Listen to How People Talk.
Having a sense of natural speech patterns is essential to good
dialogue. Start to pay attention to the expressions that people use and
the music of everyday conversation. This exercise asks you to do this
more formally, but generally speaking it's helpful to develop your ear
by paying attention to the way people talk.
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2. Not Exactly like Real Speech.
But dialogue should read like real speech. How do you
accomplish that? Alfred Hitchcock said that a good story was "life,
with the dull parts taken out." This very much applies to dialogue. A
transcription of a conversation would be completely boring to read. Edit
out the filler words and unessential dialogue — that is, the dialogue
that doesn't contribute to the plot in some way.
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3. Don't Provide Too Much Info at Once.
It should not be obvious to the reader that they're being fed
important facts. Let the story unfold naturally. You don't have to tell
the reader everything up front, and you can trust him or her to remember
details from earlier in the story.
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4. Break Up Dialogue with Action.
Remind your reader that your characters
are physical human beings by grounding their dialogue in the physical
world. Physical details also help break up the words on the page: long
periods of dialogue are easier for the reader's eye when broken up by description. (And vice versa, for that matter.) See the link above for examples of how this can work.
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5. Don't Overdo Dialogue Tags.
Veering too much beyond "he said/she said" only draws
attention to the tags — and you want the reader's attention centered on
your brilliant dialogue, not your ability to think of synonyms for
"said."
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6. Stereotypes, Profanity, and Slang.
Be aware of falling back on stereotypes, and use profanity and
slang sparingly. All of these risk distracting or alienating your
reader. Anything that takes the reader out of the fictional world you're
working so hard to create is not your friend. Read some examples of how
to achieve the tone you want without stereotypes, profanity, and slang.
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7. Read Widely.
Pay attention to why things work or don't work. Where are you
taken out of the story's action? Where did you stop believing in a
character? Or, alternatively, when did the character really jump off the
page, and how did dialogue help accomplish that? You can start reading like a writer with the link above, or pick up an anthology and start your own list of writers to learn from.
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8. Punctuate Dialogue Correctly.
The rules for punctuating dialogue can be confusing: many
writers need help getting them right in the beginning. Take some time to
learn the basics. A reader should get lost in your prose — not feel
lost trying to follow your dialogue.
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